9c1e5c063b7ed3001617d4d9ed20d31b24f8000e
Japanese/Pitch Accent/Pitch accent usage overview.md
| ... | ... | @@ -79,7 +79,7 @@ In almost every case, when a weak mora needs to be stressed, the stress moves on |
| 79 | 79 | |
| 80 | 80 | ### Stressed nouns |
| 81 | 81 | After stressed nouns, most postpositions will follow the low pattern: |
| 82 | -- ~{せんせ\い} |
|
| 82 | +- ~{せんせ\い} (先生) |
|
| 83 | 83 | - ~{せんせ\い}**~{_は}** |
| 84 | 84 | - ~{せんせ\い}**~{_の}** |
| 85 | 85 | - ~{せんせ\い}**~{_に}** |
| ... | ... | @@ -89,7 +89,7 @@ After stressed nouns, most postpositions will follow the low pattern: |
| 89 | 89 | - ~{せんせ\い}**~{_ですよね}** |
| 90 | 90 | |
| 91 | 91 | Keep in mind it also applies to odaka: |
| 92 | -- ~{はな\} |
|
| 92 | +- ~{はな\} (花) |
|
| 93 | 93 | - ~{はな\}**~{_は}** |
| 94 | 94 | - ~{はな\}**~{_ですよね}** |
| 95 | 95 | |
| ... | ... | @@ -102,7 +102,7 @@ One very important exception is **日本** when paired with **〜の**: |
| 102 | 102 | ### Heiban nouns |
| 103 | 103 | After non-stressed (heiban) nouns, the behaviour is different based on how long the whole postposition is. If it's only one mora, it keeps its heiban pattern: |
| 104 | 104 | |
| 105 | -- ~{わたし} |
|
| 105 | +- ~{わたし} (私) |
|
| 106 | 106 | - ~{わたし}**~{^は}** |
| 107 | 107 | - ~{わたし}**~{^の}** |
| 108 | 108 | - ~{わたし}**~{^に}** |
| ... | ... | @@ -128,14 +128,14 @@ Two important exceptions from this rule are **〜から** and **〜だけ**, whi |
| 128 | 128 | ## Na-adjective phrases |
| 129 | 129 | Generally, the same rules as for nouns apply. So for stressed na-adjectives the pattern continues with the low pitch: |
| 130 | 130 | |
| 131 | -- ~{き\れい} |
|
| 131 | +- ~{き\れい} (綺麗) |
|
| 132 | 132 | - ~{き\れい}**~{_な}** |
| 133 | 133 | - ~{き\れい}**~{_に}** |
| 134 | 134 | - ~{き\れい}**~{_ですね}** |
| 135 | 135 | |
| 136 | 136 | While for heiban, only the first mora of the postposition is high: |
| 137 | 137 | |
| 138 | -- ~{かんたん} |
|
| 138 | +- ~{かんたん} (簡単) |
|
| 139 | 139 | - ~{かんたん}**~{^な}** |
| 140 | 140 | - ~{かんたん}**~{^に}** |
| 141 | 141 | - ~{かんたん}**~{^で\すよ}** |
| ... | ... | @@ -162,7 +162,7 @@ The vast majority of i-adjectives are stressed, so for most of them the same rul |
| 162 | 162 | ### Stressed i-adjectives |
| 163 | 163 | Postpositions which are not changing the adjective (particles, です etc.) stay low: |
| 164 | 164 | |
| 165 | -- ~{い\い} |
|
| 165 | +- ~{い\い} (良い) |
|
| 166 | 166 | - ~{い\い}**~{_です}** |
| 167 | 167 | - ~{い\い}**~{_ね}** |
| 168 | 168 | |
| ... | ... | @@ -171,7 +171,7 @@ Postpositions which change the adjecive (inflections) change the pitch pattern d |
| 171 | 171 | | Form | 2 moras | 3 moras | 4+ moras | |
| 172 | 172 | | ---- | ------- | ------- | -------- | |
| 173 | 173 | |
| 174 | -- ~{わる\い} |
|
| 174 | +- ~{わる\い} (悪い) |
|
| 175 | 175 | - ~{わ\る}**~{_く}** |
| 176 | 176 | - ~{わ\る}**~{_くて}** |
| 177 | 177 | - ~{わ\る}**~{_くない}** |
| ... | ... | @@ -182,7 +182,7 @@ Postpositions which change the adjecive (inflections) change the pitch pattern d |
| 182 | 182 | |
| 183 | 183 | And: |
| 184 | 184 | |
| 185 | -- ~{たのし\い} |
|
| 185 | +- ~{たのし\い} (楽しい) |
|
| 186 | 186 | - ~{たの\し}**~{_く}** |
| 187 | 187 | - ~{たの\し}**~{_くて}** |
| 188 | 188 | - ~{たの\し}**~{_くない}** |