7cfa221462dd027449eb1e5c581bf71f0b89140a
Japanese/Pitch Accent/Pitch accent usage overview.md
| ... | ... | @@ -80,7 +80,7 @@ In almost every case, when a weak mora needs to be stressed, the stress moves on |
| 80 | 80 | ### Stressed nouns |
| 81 | 81 | After stressed nouns, most postpositions will follow the low pattern: |
| 82 | 82 | |
| 83 | -- 先生 |
|
| 83 | +- **先生** |
|
| 84 | 84 | - ~{せんせ\い} |
| 85 | 85 | - ~{せんせ\い}**~{_は}** |
| 86 | 86 | - ~{せんせ\い}**~{_の}** |
| ... | ... | @@ -92,14 +92,14 @@ After stressed nouns, most postpositions will follow the low pattern: |
| 92 | 92 | |
| 93 | 93 | Keep in mind it also applies to odaka: |
| 94 | 94 | |
| 95 | -- 花 |
|
| 95 | +- **花** |
|
| 96 | 96 | - ~{はな\} |
| 97 | 97 | - ~{はな\}**~{_は}** |
| 98 | 98 | - ~{はな\}**~{_ですよね}** |
| 99 | 99 | |
| 100 | 100 | One very important exception is **日本** when paired with **〜の**: |
| 101 | 101 | |
| 102 | -- 日本 |
|
| 102 | +- **日本** |
|
| 103 | 103 | - ~{にほ\ん} |
| 104 | 104 | - ~{にほ\ん}**~{_は}** |
| 105 | 105 | - ~{にほん}**~{^の}** !!! |
| ... | ... | @@ -107,7 +107,7 @@ One very important exception is **日本** when paired with **〜の**: |
| 107 | 107 | ### Heiban nouns |
| 108 | 108 | After non-stressed (heiban) nouns, the behaviour is different based on how long the whole postposition is. If it's only one mora, it keeps its heiban pattern: |
| 109 | 109 | |
| 110 | -- 私 |
|
| 110 | +- **私** |
|
| 111 | 111 | - ~{わたし} |
| 112 | 112 | - ~{わたし}**~{^は}** |
| 113 | 113 | - ~{わたし}**~{^の}** |
| ... | ... | @@ -116,7 +116,7 @@ After non-stressed (heiban) nouns, the behaviour is different based on how long |
| 116 | 116 | |
| 117 | 117 | However, if the whole postposition is two or more moras long, the first mora of the postposition is stressed: |
| 118 | 118 | |
| 119 | -- 私 (cont'd) |
|
| 119 | +- **私** (cont'd) |
|
| 120 | 120 | - ~{わたし}**~{^に\は}** |
| 121 | 121 | - ~{わたし}**~{^で\す}** |
| 122 | 122 | - ~{わたし}**~{^な\のよ}** |
| ... | ... | @@ -124,7 +124,7 @@ However, if the whole postposition is two or more moras long, the first mora of |
| 124 | 124 | |
| 125 | 125 | Two important exceptions from this rule are **〜から** and **〜だけ**, which behave like one mora particles[^kara-dake]: |
| 126 | 126 | |
| 127 | -- 私 (cont'd) |
|
| 127 | +- **私** (cont'd) |
|
| 128 | 128 | - ~{わたし}**~{^から}** ・~{わたし}**~{^だけ}** |
| 129 | 129 | - ~{わたし}**~{^から\です}**・~{わたし}**~{^だけ\です}** |
| 130 | 130 | - ~{わたし}**~{^から\の}** ・~{わたし}**~{^だけ\の}** |
| ... | ... | @@ -136,7 +136,7 @@ Two important exceptions from this rule are **〜から** and **〜だけ**, whi |
| 136 | 136 | ## Na-adjective phrases |
| 137 | 137 | Generally, the same rules as for nouns apply. So for stressed na-adjectives the pattern continues with the low pitch: |
| 138 | 138 | |
| 139 | -- 綺麗 |
|
| 139 | +- **綺麗** |
|
| 140 | 140 | - ~{き\れい} |
| 141 | 141 | - ~{き\れい}**~{_な}** |
| 142 | 142 | - ~{き\れい}**~{_に}** |
| ... | ... | @@ -145,7 +145,7 @@ Generally, the same rules as for nouns apply. So for stressed na-adjectives the |
| 145 | 145 | |
| 146 | 146 | While for heiban, only the first mora of the postposition is high: |
| 147 | 147 | |
| 148 | -- 簡単 |
|
| 148 | +- **簡単** |
|
| 149 | 149 | - ~{かんたん} |
| 150 | 150 | - ~{かんたん}**~{^な}** |
| 151 | 151 | - ~{かんたん}**~{^に}** |
| ... | ... | @@ -154,9 +154,9 @@ While for heiban, only the first mora of the postposition is high: |
| 154 | 154 | |
| 155 | 155 | Please note that the negation of na-adjectives (and also nouns for this matter) isn't considered a single phrase and therefore the above rules do not apply[^ja-nai]: |
| 156 | 156 | |
| 157 | -- 綺麗 (cont'd) |
|
| 157 | +- **綺麗** (cont'd) |
|
| 158 | 158 | - ~{き\れい}**~{_じゃ} ~{な\い}** |
| 159 | -- 簡単 (cont'd) |
|
| 159 | +- **簡単** (cont'd) |
|
| 160 | 160 | - ~{かんたん}**~{^じゃ} ~{な\い}** |
| 161 | 161 | |
| 162 | 162 | [^ja-nai]: |
| ... | ... | @@ -176,41 +176,47 @@ The vast majority of i-adjectives are stressed, so for most of them the same rul |
| 176 | 176 | ### Stressed i-adjectives |
| 177 | 177 | Postpositions which are not changing the adjective (particles, です etc.) stay low: |
| 178 | 178 | |
| 179 | -- ~{い\い} (良い) |
|
| 180 | -- ~{い\い}**~{_です}** |
|
| 181 | -- ~{い\い}**~{_ね}** |
|
| 179 | +- **良い** |
|
| 180 | + - ~{い\い} |
|
| 181 | + - ~{い\い}**~{_です}** |
|
| 182 | + - ~{い\い}**~{_ね}** |
|
| 182 | 183 | |
| 183 | 184 | Postpositions which change the adjecive (inflections) change the pitch pattern depending on adjective's length: |
| 184 | 185 | |
| 185 | 186 | | Form | 2 moras | 3 moras | 4+ moras | |
| 186 | 187 | | ---- | ------- | ------- | -------- | |
| 187 | 188 | |
| 188 | -- ~{わる\い} (悪い) |
|
| 189 | -- ~{わ\る}**~{_く}** |
|
| 190 | -- ~{わ\る}**~{_くて}** |
|
| 191 | -- ~{わ\る}**~{_くない}** |
|
| 192 | -- ~{わ\る}**~{_くなくて}** |
|
| 193 | -- ~{わ\る}**~{_かった}** |
|
| 194 | -- ~{わ\る}**~{_くなかった}** |
|
| 195 | -- ~{わ\る}**~{_さ}** |
|
| 189 | +- **悪い** |
|
| 190 | + - ~{わる\い} |
|
| 191 | + - ~{わ\る}**~{_く}** |
|
| 192 | + - ~{わ\る}**~{_くて}** |
|
| 193 | + - ~{わ\る}**~{_くない}** |
|
| 194 | + - ~{わ\る}**~{_くなくて}** |
|
| 195 | + - ~{わ\る}**~{_かった}** |
|
| 196 | + - ~{わ\る}**~{_くなかった}** |
|
| 197 | + - ~{わ\る}**~{_さ}** |
|
| 196 | 198 | |
| 197 | 199 | And: |
| 198 | 200 | |
| 199 | -- ~{たのし\い} (楽しい) |
|
| 200 | -- ~{たの\し}**~{_く}** |
|
| 201 | -- ~{たの\し}**~{_くて}** |
|
| 202 | -- ~{たの\し}**~{_くない}** |
|
| 203 | -- ~{たの\し}**~{_くなくて}** |
|
| 204 | -- ~{たの\し}**~{_かった}** |
|
| 205 | -- ~{たの\し}**~{_くなかった}** |
|
| 206 | -- ~{たの\し}**~{_さ}** |
|
| 201 | +- **楽しい** |
|
| 202 | + - ~{たのし\い} |
|
| 203 | + - ~{たの\し}**~{_く}** |
|
| 204 | + - ~{たの\し}**~{_くて}** |
|
| 205 | + - ~{たの\し}**~{_くない}** |
|
| 206 | + - ~{たの\し}**~{_くなくて}** |
|
| 207 | + - ~{たの\し}**~{_かった}** |
|
| 208 | + - ~{たの\し}**~{_くなかった}** |
|
| 209 | + - ~{たの\し}**~{_さ}** |
|
| 207 | 210 | |
| 208 | 211 | With the exceptions being: |
| 209 | 212 | |
| 210 | -- ~{わる}**~{^そ\う}** |
|
| 211 | -- ~{わる\}**~{_ければ}** |
|
| 212 | -- ~{たのし}**~{^そ\う}** |
|
| 213 | -- ~{たのし\}**~{_ければ}** |
|
| 213 | +- **悪い** (cont'd) |
|
| 214 | + - ~{わる}**~{^そ\う}** |
|
| 215 | + - ~{わる\}**~{_ければ}** |
|
| 216 | + |
|
| 217 | +- **楽しい** (cont'd) |
|
| 218 | + - ~{たのし}**~{^そ\う}** |
|
| 219 | + - ~{たのし\}**~{_ければ}** |
|
| 214 | 220 | |
| 215 | 221 | |
| 216 | 222 | Obviously it doesn't apply if the i-adjective is only two moras long: |
| ... | ... | @@ -250,4 +256,6 @@ Hover over kanji to see furigana |
| 250 | 256 | |
| 251 | 257 | > [田中]{たなか}さんは [毎日]{まいにち} [東京]{とうきょう}から [大阪]{おおさか}まで [電車]{でんしゃ}で [通]{かよ}っています |
| 252 | 258 | |
| 253 | -> ~{たなかさんは ま\いにち と/うきょうから おおさかま\で で/んしゃで かよっていま\す} |
|
| ... | ... | \ No newline at end of file |
| 0 | +> ~{たなかさんは ま\いにち と/うきょうから おおさかま\で で/んしゃで かよっていま\す} |
|
| 1 | + |
|
| 2 | +*[cont'd]: Continued |
|
| ... | ... | \ No newline at end of file |